Armando Silva standing in front of his mural smiling and holding a paint brush

Article

July 19, 2026

Written by Sydney Kern | Translated by Carlos José Pérez Sámano

Anatomy in Color 

Anatomía a color

Through bold palettes and intricate detail, Muralist and Alumnus Armando Silva creates larger-than-life art inside UNC’s College of Osteopathic Medicine

A través de paletas de colores atrevidas y detalles minuciosos, el muralista y egresado de la UNC Armando Silva crea obra de arte monumental en el interior de la Facultad de Medicina Osteopática de la UNC.

Armando Silva, ‘10, has a distinct memory with his dad as he was about to start a new chapter of his life.

He remembers walking through the University of Northern Colorado’s (UNC) Central Campus during freshman registration. His dad was proudly sporting a blue-and-gold striped, rugby-style polo shirt, and Armando was thinking how great it was to have the university as his backyard growing up in Greeley.

Now, years later, that backyard has turned into his canvas.

This transformation began when he studied Fine Arts at UNC. He didn’t have a master plan to pursue the arts growing up, but he always knew he liked to draw. Silva found passion in this skill while taking the course Life Drawing, and after graduating, he focused on turning his creativity into a career. Today, he is an artist widely known for his large-scale mural installations who has worked with brands like the Denver Broncos, Target, the Colorado Rapids, the Denver Zoo and many more.

But what he never expected, and what has morphed into a full-circle moment for the artist, is that his career would bring him back to the same part of campus he walked with his dad all those years ago.

Silva was commissioned to paint a mural for the lobby of the UNC’s new College of Osteopathic Medicine (COM) – a work so expansive it’s better described as an installation than a painting.

“It does feel like a nice payoff and a homage that now, as I’ve worked my way through school and after school pursuing my profession, this is a nice pat on the back or wink that something good is coming out of it,” Silva said.

About a year ago, President Andy Feinstein, COM leaders and Silva first talked about the mural and its design. The goal was to have an art piece that reflects the innovative, immersive and impactful work medical students who walk into the building every day are going to be participating in.

With this in mind, Silva came up with a design of two figures, a man and a woman in white lab coats, partially transparent, showcasing their muscles, nerves, blood vessels, bones and organs. All illustrated in vibrant, dynamic composition.

“My creative direction for this piece was thinking of when you get asked as a kid, ‘What do you want to be when you grow up?’ So many kids say they want to be doctors,” Silva said. “So, I thought about a kid drawing themself as a doctor and using that spirit, curiosity and innocence in wanting to help people to energize my palate.”

The artist also leaned on two concrete inspirations. One of a well-known portrait of Andrew Taylor Still, MD, DO, the first person to open an osteopathic medical school. In that picture, Still is looking to the left like the male in Silva’s mural. The second inspiration is recognizing the white lab coats that medical students wear.

“For me, it’s like wearing an apron or having an easel or an art studio that makes you feel like you’re a professional now – that’s what I wanted to capture,” Silva said.

The mural, titled Paradox, is about 36 ft. tall, placed on top of a metal wall. It took Silva about two months to paint the piece, using Goldman Mural Paints and a scissor lift, which he had to become certified to use, so he could reach the top of the installation

“I look at artmaking like a sport, a rise-to-the-challenge kind of thing,” Silva said. “So, along with safety, I thought to myself, ‘how many different things can I do here with soft edges, hard edges, color theory, scale,’ all the details.”

Working on the piece week after week, the artist said he switched between listening to music to podcasts about a wide variety of topics to keep him focused. When he wanted breaks, he was able to hop off his scissor lift and talk to the various crew members who were installing lights, tiling and furniture while he was painting.

“It has been special to share this process with other people. All the board members, trustees, janitorial staff, construction crew, the electricians – it has felt like a community project,” Silva said.

But when Silva was adding shadowing around a nose or outlining the angles in a bone, he said the most important part of the project was focusing on his audience: the state’s future physicians.

“This piece is for somebody who is going to possibly take care of me or a loved one, and the ask is to create an expression that they’ll connect with to find some inspiration or maybe even see themselves in it – like a reflection piece,” Silva said. “So, I hope what I draw attention to will relate to the actual student body.”

Located just inside the main entrance, Silva’s towering installation transforms the lobby with bold color, creating an unforgettable first impression for everyone who enters. Silva is proud of his work, saying it’s a culmination of everything he has learned, which began here at UNC – another takeaway for the medical students.

“You can come to UNC, study whatever it is you’re going to study, whether it’s specifically medicine in this building or art like me. It’s a lesson that whatever you put into it is what you’ll get out of it,” Silva said.

For Silva, that’s a permanent part of UNC’s history – one that will greet generations of future physicians as they begin their journey.