Exploring Film, Past and Present
Film is one of today’s most influential forms of communication. Its stories have a unique power to transport us to another time and place. At the same time, film both reflects and helps to shape our culture. In recent years, the impact of film has only grown as it continues to cross diverse media channels, from theater to television to mobile devices and the Internet.
Emphasizing film criticism, theory, and history, the Film Studies minor at UNC will teach you to develop an analytical and critical approach to cinema. You’ll watch a variety of films from different genres—many classics, and some lesser known—and have opportunities to discuss, write, and present on diverse topics. Through your work, you’ll learn how cinema has evolved, how film relates to other art forms, and how cinema plays a global cultural role. We also offer a course on short film production.
Classes are highly collaborative and are led by accessible and supportive instructors, who are dedicated to helping you succeed. You can also enjoy free weekly screenings of films from all over the world through our International Film Series.
Kenneth Chan, Ph.D.
Director of Film Studies and Professor of English
Kenneth Chan’s research and teaching interests include transnational Chinese cinemas, Asians in Hollywood, Asian American film, Singapore cultural studies, gender and sexuality studies, queer cinemas, and contemporary film genres. In addition to authoring two books and numerous peer-reviewed essays, Chan sits on the editorial board of the Journal of Chinese Cinemas and is the Managing Editor of The CEA Critic. He was a recipient of the College Scholar award in 2010-2011 from UNC's College of Humanities and Social Sciences. He’s also an ardent figure skater who attained the United States Figure Skating Adult Bronze Moves in the Field level.
Minor in Film Studies
The Film Studies minor comprises 15 credit hours of required courses and three credit hours of electives, for 18 hours total. As an interdisciplinary program, the Film Studies minor includes perspectives from a variety of disciplines, consideration of film in various periods of the history of cinema, as well as films produced in various global cultures.
A Film Studies minor will enrich almost any major area of study and builds skills you can apply to diverse careers.
Consider UNC's Film Studies minor if you:
- Enjoy viewing, discussing, and analyzing films
- Have an interest in the history of film and how it has evolved over time
- Excel in small classes with one-on-one mentorship
- Film history, theory and criticism
- How cinema influences contemporary culture
- How to apply analytical and critical thinking skills to a wide range of issues
- Written and verbal communication skills
- Introduction to Film
- Film Theory and Criticism
- History of Film I and II
- Action Cinemas: Speed, Bodies, Spectacle
- Science Fiction Cinema
- Producing the Short Film
Film is a medium that encompasses a variety of other art forms, including photography, writing, editing, music and performance. Not only will a Film Studies minor open the door to career pathways in these diverse areas and many others, it will also provide foundational learning that will serve you throughout your life.
Where can your minor take you?
As a Film Studies student, you can apply your learning in many different areas. You could pursue a career as a film critic, or apply to film school to become an actor or filmmaker, or work in the film industry. The Film Studies minor can also apply to careers in journalism, elementary and secondary education, web design, and much more.
In addition to being caring, dedicated educators who work closely with students, our professors are noted researchers in their fields of study. Our current research projects in the area of Film Studies include:
It’s the End of the World as We Know It: Cosmopolitanism, Ethics, and Science Fiction Cinema
Kenneth Chan, Ph.D., Director of Film Studies and Professor of English
Professor Chan’s new book project explores the recent emergence and popularity of science fiction cinema after 9/11, films that grapple with global political dilemmas, personal existential crises, and apocalyptic doomsday scenarios to engage and complicate the issues of personal and collective ethical responsibilities.